TOP Laureate Bridget Riley

The 15th

Laureate

Painting

Bridget Riley

Bridget Riley is recognized and appreciated as an abstract optical painter,one of the finest exponents of Op Art,and her works have been described as visual analogues for states of mind,and even for pieces of music. She says that her inspiration came in large part from the French impressionists -their interest in perception,their own optics in nature and their idea of color and light -and Pointillism. She also credits the natural world she experienced as a child in Cornwell that made her visually aware and taught her the process and pleasure of observation. Her distinguished career encompasses forty years of uncompromising and remarkable innovation.

Biography

Bridget Riley is recognized and appreciated as an abstract optical painter,one of the finest exponents of Op Art,and her works have been described as visual analogues for states of mind,and even for pieces of music. She says that her inspiration came in large part from the French impressionists -their interest in perception,their own optics in nature and their idea of color and light -and Pointillism. She also credits the natural world she experienced as a child in Cornwall that made her visually aware and taught her the process and pleasure of observation,as well as her encounter with Pollock’s work in an exhibition at the Tate Gallery in 1956.

Riley first attracted critical attention with the black and white paintings she began to make in 1961. Her participation in The Museum of Modern Art’s 1965 exhibition "The Responsive Eye," Eestablished her position as an artist,and this was reinforced by the International Prize she won at the 1968 Venice Biennale. Throughout her career,she has investigated the role of color,and sought to express an abstract language for the relations of colors,and the impression of light in all its chromatic variety.

Her visit to Egypt in 1980 to 1981 resulted in a series of works drawn from the reconstructed palette of colors she discovered there. She had just finished seven years work on curves,and felt that she had exhausted what she could do in that direction,and that the colors she had been using were needed more intensity. She was impressed by the Egyptian colors that had been used against the desert for three thousand years. In 1986,however,her work took a new direction,and her recent wall-drawings weave intricate compositions based entirely on line.

Bridget Riley is respected both by her peers and by a younger generation of artists and students,and admired for her dedication to her artistic ideals. Her distinguished career encompasses forty years of uncompromising and remarkable innovation.
Recently,she has had a major solo exhibition at the Dia Center in New York (2002),and a retrospective exhibition at the Tate Britain,London (2003). In 1999 Riley was appointed a Companion of Honour. She has studios in London,Cornwall and Provence.

Chronology

1931
Born in London
1939-45
Lived in Cornwall
1946-48
Cheltenham Ladies' College of Art
1949-52
Goldsmiths' College of Art
1952-55
Royal College of Art
1960
Summer spent in Italy
1962
First one-man exhibition at the Gallery One,London
1965
Exhibition at the Museum of Modern Art,New York
1968
International Prize for painting at the Biennale in Venice
1971
Exhibition traveled in Europe
1980-1981
Visit to Egypt
1980
Exhibition ate the National Museum of Modern Art,in Tokyo,Japan
1983
Mural Project for Royal Liverpool Hospital
2000-2001
Exhibition in New York
2003
Exhibition at the Tate Britain in London
Awarded the Praemium Imperiale Prize for Painting,Japan Art Association,Tokyo
  • At her studio in London

  • Pause, 1964

  • Blue Return, 1984

  • By Way of Yellow, 1993

  • Rêve, 1999

At her studio in London
©The Sankei Shimbun 2003

Pause, 1964. 112.2×106.6cm
©Bridget Riley 2003/ Courtesy of Karsten Schubert, London

Blue Return, 1984. 152.5×117cm
©Bridget Riley 2003/ Courtesy of Karsten Schubert, London

By Way of Yellow, 1993. 165×228cm
©Bridget Riley 2003/ Courtesy of Karsten Schubert, London

Rêve, 1999. 228×238.3cm
©Bridget Riley 2003/ Courtesy of Karsten Schubert, London