TOP Laureate Vija Celmins

The 34th

Laureate

Painting

Vija Celmins

“It’s very difficult to put in words really what the work is. I think I paint things I cannot say.” (Vija Celmins 2023)
Vija Celmins’ meticulous paintings and drawings of the natural world; oceans,night skies,deserts and spiders’ webs,capture the viewer and draw them into an unknowable expanse that contains an undeniable beauty. Born in Riga shortly before the outbreak of the Second World War,her family escaped from the Soviet army’s invasion,emigrating to the United States in 1948. Fascinated by the ability of a painting to have depth of imagery while at the same time remaining flat; the duality of the experience that could be created through the work stimulated Celmins’s artistic vision. In works,often inspired by photographs previously taken or found,Celmins works on building depth and filling the canvas. “I find my works tend to go slow because I build up the image till it is as full and dense as I can make it. One might say that the paint and image are in a constant shifting relationship,and it has inspired me.” Celmins images reflect her philosophy that the work is about making. “I also feel that although I work for myself. I think art is really a thing from one person to another.”

Biography

“It’s very difficult to put in words really what the work is. I think I paint things I cannot say.” (Vija Celmins 2023)
Vija Celmins’s meticulous paintings and drawings of the natural world; oceans,night skies,deserts and spiders’ webs,capture the viewer and draws them into an unknowable expanse that contains an undeniable beauty.
Born in Riga shortly before the outbreak of the Second World War,Celmins’ family escaped from the Soviet army’s invasion,living for years in refugee camps in Europe until emigrating to the United States in 1948.
When she started school in America,a lack of English meant that Celmins often spent her time drawing. As she says,“while people were writing and talking,I was practicing making images.” This early passion,in part born from linguistic isolation,became the cornerstone of her career.
She moved to California,gaining a master's degree from the University of California in 1965 and then taught painting and sculpture before moving to New York in the 1980s where she continues to live and work to this day.
Early in her career,she abandoned thoughts of becoming an Abstract Expressionist,instead focusing on precise imagery with an almost documentary matter of factness. “I think that imagery invites you into the painting.” Fascinated by the ability of a painting to have depth of imagery while at the same time remaining flat,the duality of the experience that could be created through the work stimulated Celmins’s artistic vision.
In the 1960’s,she painted objects in her studio,and later moved to using pencil and charcoal extensively with denser subject matter; the sea,the night sky,deserts,spiderwebs. Celmins picks up a pencil particularly which is a precise instrument to document the surface of paper while laying down images.
Going back to painting later,Celmins works on building depth and filling the canvas. “I find my works tend to go slow because I build up the image till it is as full and dense as I can make it. One might say that the paint and image are in a constant shifting relationship,and it has inspired me.”
Celmins images reflect her philosophy that the work is about making. “I also feel that although I work for myself. I think art is really a thing from one person to another.”
Her works are in the collections of the Museum of Modern Art (MoMA) in New York,the Tate Modern in London and other prominent museums around the world.

Chronology

1938
Born in Riga,Latvia
1961
Fellowship to Yale University Summer Session
1962
Bachelor of Fine Arts from John Herron Art Institute,Indianapolis,USA
1965
Master of Fine Arts from University of California at Los Angeles
1969
Vija Celmins,Riko Mizuno Gallery,Los Angeles
1970-71
Group exhibition,Paperworks at The Museum of Modern Art,New York
1973
Drawings,Whitney Museum of American Art,New York
1976
MATRIX 19: Vija Celmins,Wadsworth Atheneum Museum of Art,Hartford
1980
Guggenheim Fellowship
1983
Drawings and Painted Bronzes,McKee Gallery,New York
1992-93
Retrospective exhibition,Vija Celmins at Institute of Contemporary Art,Pennsylvania
1995
Vija Celmins,Fondation Cartier pour l’art contemporain,Paris
American Academy of Arts and Letters Award in Art
1996-97
Works 1964–1996,Institute of Contemporary Arts,London. Traveled to Museo Nacional Centro de Arte Reina Sofía,Madrid; Kunst Museum Winterthur,Switzerland; and Museum für Moderne Kunst,Frankfurt
1997
John D. And Catherine T. MacArthur Fellowship,USA
2002
The Prints of Vija Celmins,The Metropolitan Museum of Art,New York
2003
Venice Biennale
2003-04
Group exhibition,Happiness: A Survival Guide for Art and Life at Mori Art Museum,Tokyo
2006-07
First drawing retrospective at Centre Pompidou,Paris. Traveled to Hammer Museum,Los Angeles
2008
Carnegie Prize
2009
Roswitha Haftmann Prize
2010-11
Television and Disaster 1964–1966,The Menil Collection,Houston. Traveled to Los Angeles County Museum of Art
2011
Desert,Sea,and Stars,Museum Ludwig,Cologne. Traveled to Louisiana Museum of Modern Art,Humlebæk,Denmark
2013
Honorary Doctor of Fine Arts degree from Indiana University
2014
Yokohama Triennale
Double Reality,Latvian National Museum of Art,Riga
2016
Gold Medal in Graphic Art of American Academy of Art and Letters
2017
Vija Celmins,Matthew Marks Gallery,New York
2018-20
Retrospective exhibition,To Fix the Image in Memory at San Francisco Museum of Modern Art.
Traveled to Art Gallery of Ontario,Toronto; and The Metropolitan Museum of Art,New York
2021
Great Immigrants,Carnegie Corporation of New York
2023
A major two-person show with Gerhard Richter,Double Vision at the Hamburger Kunsthalle,Germany
  • Vija Celmins with her Untitled (Comb), 1970

  • A Painting in Six Parts (detail), 1986-87 / 2012-16

  • Night Sky (Ochre), 2016

  • At Vija Celmins Studio, Long Island, New York, May 2023

  • Snowfall #1, 2022-24

  • At Exhibition “Vija Celmins/Gerhard Richter: Double Vision”
    Hamburger Kunsthalle, May 2023

Vija Celmins with her Untitled (Comb), 1970
Courtesy of Vija Celmins Studio

A Painting in Six Parts (detail), 1986-87 / 2012-16
© Vija Celmins
Photo: Courtesy Matthew Marks Gallery, Collection Glenstone Museum

Night Sky (Ochre), 2016
© Vija Celmins
Photo: Courtesy Matthew Marks Gallery

At Vija Celmins Studio, Long Island, New York, May 2023
© The Japan Art Association / The Sankei Shimbun

Snowfall #1, 2022-24
Oil and alkyd on linen; 132 x 184 cm
© Vija Celmins, Courtesy of Matthew Marks Gallery

At Exhibition “Vija Celmins/Gerhard Richter: Double Vision”
Hamburger Kunsthalle, May 2023
Photo: Mauricio Bustamante