TOP Laureate Olafur Eliasson

The 34th

Laureate

Sculpture

Olafur Eliasson

Color,light,water,ice; these are just some of the natural elements that Olafur Eliasson skillfully employs for his thoughtful,wide-ranging artworks; works designed to alter perception,raise awareness while creating a sense of wonder. The range of his work is extensive and diverse,including sculpture,installations,paintings,photography and video. Early masterpieces,such as Beauty (1993),have an ephemeral,poetical existence that relies on the viewer for life. Much of his inspiration has come from experiencing nature as a boy in Denmark and more especially,in Iceland,and are at the heart of his motivation for challenging global environmental issues though his art. The weather project (2003) at Tate Modern in London and Ice Watch (Copenhagen,Paris,London) are just two illustrations of Eliasson’s inventive,considered and beautiful works. In 2019 he was appointed UNDP’s Ambassador for climate action and the Sustainable Development Goals (SDGs).

Biography

Color,light,water,ice; these are just some of the natural elements that Olafur Eliasson skillfully employs for his thoughtful,wide-ranging artworks; works designed to alter perception,raise awareness while creating a sense of wonder.
Now based in Berlin and Copenhagen,Eliasson grew up in Denmark and Iceland,but his experiences in Iceland’s rich natural environment are at the heart of his motivation for challenging global environmental issues through his art. “When I first started hearing about global warming,I understood it intuitively,because I had a strong sense of the fragility of nature in the Arctic Circle,” he recalls.
In 1995,he moved to Berlin and founded Studio Olafur Eliasson. The range of his work is extensive and diverse,including sculpture,installations,paintings,photography and video. Early masterpieces,such as Beauty (1993),have an ephemeral,poetical existence that relies on the viewer for life. As Eliasson says,“Ephemeral art is very good at hosting a viewer because there’s little concrete there – just light,air,movement,or something else intangible. So the presence of a viewer becomes even more important. The viewers complete the artwork,co-producing the experience.”
In 2003,he represented Denmark at the Venice Biennale. In the same year,The weather project,presented at Tate Modern,London,was an international success. The project,made by using light to create the illusion of a giant sun in the cavernous space of the building's Turbine Hall,was experienced by more than two million visitors. It was,“a success simply by being very hospitable,people felt somehow seen,listened to and they felt welcome…it wasn’t elitist…it was very emotional.”
He has had solo exhibitions in major museums around the world and has undertaken numerous large-scale projects in public spaces. Ice Watch (2014),with its use of giant ice blocks from Greenland,melting over time,is a major work that raises awareness and calls people to take action over climate change and has been shown in Copenhagen,Paris and London. As a direct and tangible experience of the reality of melting artic ice,it makes its point in a creative and powerful way.
Eliasson’s Berlin studio has a diverse staff of 100 people from a wide range of disciplines,involved in many activities.
Recently,the studio has been re-assessing production processes to find new,environmentally sustainable ways to create and transport artworks. In addition to working on art projects,Eliasson has founded other projects,such as the social business that produces the solar-powered light Little Sun (2012) – an affordable and effective light that yields 5 hours of bright light after 5 hours of charging in the sun.
Eliasson declares,“I strongly believe that art can change society and can demonstrate to people how their individual engagement matters. Each one of us can do something small,and this can definitely make a big difference.” In 2019,he was appointed as UNDP’s Goodwill Ambassador for climate action and the Sustainable Development Goals (SDGs).

Chronology

1967
Born in Copenhagen,Denmark
1991
First installation,31 Days of News at Café in Copenhagen,Denmark
1993
Installation Beauty was presented as part of a group exhibition in Copenhagen.
1995
Moved to Berlin and found Studio Olafur Eliasson
1998-2001
Public art,Green River activated in Germany,Norway,Iceland,USA,Sweden,Japan
2001-03
Solo exhibition,Seeing yourself sensing at The Museum of Modern Art,New York
2003
Represented Denmark at the 50th Venice Biennale
The weather project at Turbine Hall,Tate Modern,London
2005
Special project,Your black horizon with David Adjaye in the 51st Venice Biennale of Art
2005-06
First solo exhibition in Japan,Your light shadow at Hara Museum,Tokyo
2006
The Crown Prince Couple's Culture Award,Denmark
2007
Designed the Serpentine Gallery Pavilion 2007 with architect Kjetil Thorsen
2008
Public art,The New York City Waterfalls
2009
First permanent artwork in Japan,Sunspace for Shibukawa,2009 at Hara Museum ARC
2009-10
Your chance encounter at 21st Century Museum of Contemporary Art,Kanazawa,Japan
2009-14
Leads an experimental program as a professor at the Berlin University of the Arts
2011
Permanent architectural installation Your rainbow panorama,opens atop ARoS Museum in Aarhus,Denmark.
2012
Olafur Eliasson: Little Sun at Tate Modern,London
2013
Harpa Reykjavik Concert Hall and Conference Centre,for jointly created the façade with Henning Larsen,receives the Mies van der Rohe Award
2014
Wolf Prize,Israel
2016
Waterfall at Palace of Versailles,France
2017
Yokohama Triennale
2018
First building designed by Eliasson with Studio Olafur Eliasson,Fjordenhus is completed in Vejle,Denmark
2019
Solo exhibition,In real life at Tate Modern,London
Appointed UNDP Goodwill Ambassador for renewable energy and climate action
2020
Global digital app and interactive website,Earth Speakr as part of the German presidency of the council of the EU
Solo exhibition,Olafur Eliasson: Sometimes the river is the bridge at Museum of Contemporary Art Tokyo
2022
Site-specific installation Shadows travelling on the sea of the day,Doha,Qatar
2023-24
Exhibition,Olafur Eliasson: A harmonious cycle of interconnected nows at Azabudai Hills Gallery,Tokyo
  • Beauty, 1993

  • The weather project, 2003

  • Façade for Harpa Reykjavik Concert Hall and Conference Centre, 2005-2011

  • Little girl playing with Little Sun (Original) in Ethiopia

  • With Ai Weiwei at Great Wall, China, 2014

  • Ice Watch, 2014 (in cooperation with geologist Minik Rosing)

Beauty, 1993
Spotlight, water, nozzles, wood, hose, pump
Dimensions variable
Installation view: Moderna Museet, Stockholm 2015
Photo: Anders Sune Berg
Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles
© 1993 Olafur Eliasson

The weather project, 2003
Monofrequency lights, projection foil, haze machines, mirror foil, aluminium, scaffolding
26.7 x 22.3 x 155.44 m
Tate Modern, London, 2003
Photo: Jens Ziehe
Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles
© 2003 Olafur Eliasson

Façade for Harpa Reykjavik Concert Hall and Conference Centre, 2005-2011
Reykjavik, 2013
Photo: Nic Lehoux
Courtesy of Eignarhaldsfélagi∂ Portus Ltd., Reykjavik, Iceland
© Olafur Eliasson

Little girl playing with Little Sun (Original) in Ethiopia
Photo: Merklit Mersha
Courtesy of Olafur Eliasson Studio

With Ai Weiwei at Great Wall, China, 2014
Their Berlin studios next door to each other
Courtesy of Olafur Eliasson Studio

Ice Watch, 2014 (in cooperation with geologist Minik Rosing)
Supported by Bloomberg
Installation view: Bankside, outside Tate Modern, 2018
Photo: Justin Sutcliffe
Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles
© 2014 Olafur Eliasson